2024 Members Prize Show

2024 Members Prize Show


February 27 – April 27, 2024
Presented at the Kathryn Schultz Gallery & CAA @ University Place

Opening Reception + Awards Presentation | Thursday, February 29 from 6-8pm

Juried by Mike Carroll, Owner and Director of the Schoolhouse Gallery, Provincetown, MA


GENERAL INFORMATION The 2024 Members Prize Show is open to all current members of the Cambridge Art Association (CAA) – including Artist, Associate Artist, Student, and Lifetime. Please note that the Members Prize show 2024 will be presented at two galleries: Kathryn Schultz Gallery and CAA @ University Place. Artists cannot choose which location their piece will be exhibited.


About the Juror

Mike Carroll is an artist who also writes and speaks on art, studio practices and exhibition spaces. He has exhibited widely throughout the Northeast and has had studios in Boston, Provincetown and Florida. His work is in numerous collections and has been written about in Art New England and Provincetown Arts, and artScope among other publications.

Carroll has been a gallerist in various forms for over 25 years. He attended Emerson College and the School of the Museum of Fine Arts in Boston until he became involved in Boston’s then thriving underground scene. He ran the live performance and video section at The Boston Film Video Foundation when video was in its black and white reel to reel infancy. Carroll opened his first gallery, The 11th Hour, near Boston’s South Station where he produced early exhibitions by Mark Morrisroe and performances by Human Sexual Response, Jack Smith and The Clam Twins, among others. Since then he has woven his own art making practice with fine art presentation in a variety of ways. He was the Executive Director at Provincetown’s Schoolhouse Center from 1997 through 2004 and has been the owner of the Schoolhouse Gallery since 2005 where he is well known for presenting the finest in collaboration and new thought in the gallery and at a variety of outside exhibition projects.


Juror’s Statement

First, I’d like to thank Erin Becker, Candice Driver, and the fantastic artists that sent images of their work in for this call. 

A bit of history: I’ve lived a life dedicated to the act of looking, to what occurs when we are opened up by an image in place and by the ideas and communities that gather around these moments of awakening and undoing. As a willful and rebellious young person I had no preconceived ideas about this dedication but pursued with feral hunger the next way to feel something and to connect with the love I felt for my fellow makers. Looking back, I can see this as a path and story but was often bewildered, impassioned, bored, confused, frustrated, and overjoyed along the way. I depended on other makers and lookers to tell me who I was and what I was doing, the results of which appeared to me in exhibitions, concerts, gatherings, in dialogue and in finished artworks. Always I was driven by something intangible and muscular, possibly love, and I remain in love with intimate dialogues, small communities, and regional associations like the CAA that are connected to the daily lives of individual makers while recognizing the reverberating impact that the made thing can have in material culture and society.

To look fairly at the works that were offered here I began with that gift that was given to me by friends, associates, and educators along my own way; that of visibility and articulation. Artists and their allies who advocate for each other, whether by supporting or challenging, create visibility and articulation for each other and contribute to a larger and necessary visual literacy for everyone. I see visibility and articulation as opposite to oppression and abuse, and so as vital for our time.  

So how to attempt to acknowledge these factors while looking at digital submissions? How to incorporate this newish screen language into the act of looking at so many beautiful works? It was a daunting and joyful task met with urgency and hesitation, and then with softness and appreciation. 

The juror has two jobs, I think. First, the agreement is to look closely and carefully, to be open-minded and fair. One must find the actual thing of each piece, the causes and conditions that make it what it is, and then to decipher whether it is most alive for the terms it has set for itself. The second job of the juror is to become transparent, to recognize one’s own history, flaws, skills, influences, seductions, passions, and preferences and to give them the weight they deserve in front of each work of art. Every curator has just seen a great film, read a great book, has a crush or been crushed and all of this is still on their mind and in their body when they look at work, but they must hold these personal holographs gingerly and see each thing as it is. 

So I hope this exhibit is a thread of the things that felt most alive and were best stated for what they are. And I hope that all the members of CAA will continue to practice, to participate, and to build a society within our larger society that insists on making, on looking, and on the good results of both.


Exhibit Programs

Opening Reception + Awards Presentation | Thursday, February 29 from 6-8pm
Artist Talk | Thursday, April 11 from 7-8pm. Pre-registration is required via Zoom.


KATHRYN SCHULTZ GALLERY EXHIBITORS:

Last NameFirst NameCityStateInstagramWebsiteTitleMediaDimensionsPrice
AlportSusanBrooklineMA“BOSton”Digital print8″ x 10″$325
AndersonCarolineWarwickRI@carolineinwarwickwww.carolineandersonart.comThe Earth Has BubblesAcrylic, pumice, and modeling paste on canvas48″ x 36″ x 1″$1,800
AndrewsCynthiaFraminghamMAFirst Encounter LightOil14″ x 11″$250
AsbridgeBaydaWorcesterMA@bayda’s artwww.baydasart.comWish I Were A BambooArabic calligraphy of a quote about the glory of bamboo on one side and an Asian Brush painting of bamboo on the other side.18″ x 28″ x 10″$2,250
BachnerSharonSwampscottMA@cohesionmosaicswww.cohesionmosaicstudio.comBeach Stones IIPolymer clay, embossing powder, limpet shells, fused glass beads mounted on nylon standoff pillars. Background is crinoline fabric and linen on wood.25″ x 19″ x 1.5″$1,360
BalzerJulie Fei-FanWatertownMA@balzerdesignswww.juliebalzer.comWhat He Told YouAcrylic paint, oil pastel, collage, pencil20″ x 16″ x 0.75″$850
BanksJimCambridgeMAwww.jimbanksartist.comGeorgia IPastel on paper20″ x 14″$1,200
BeebyCicekProvidenceRIMisreportMixed media (acrylic and embroidery thread) on paper20″ x 16″$400
BeineckeAnneCambridgeMA@anne_beineckewww.annebeinecke.comEphemeraAcrylic, pencil on cruelty-free watercolor paper14″ x 20″$1,500
BruelHilary HansonNeedhamMA@hansonbruelartwww.hansonbruel.comEvening SunEncaustic with thread and pastel on wood24″ x 18″ x 1.5″$1,100
BurkeMary LynnLexingtonMA@mary.lynn.burkewww.marylynnburke.comJust the Thought of Being With YouOil on canvas24″ x24″$1,450
HannonFay LamsonCambridgeMAPlaying Chess with GrandpaOil on canvas11″ x 14″ x 1.5″$1,500
HartungKayActonMA@kayhartungGeocolor 9Encaustic on wood31″ x 19″ x 1″$3,500
HeffleyMarkConcordNH@secondascentdesignswww.secondascentdesign.comEverything’s DerivativeClimbing rope, glue, 2 – 22+” Emt tubes one at the head the other at the Knee. No vertical supports33″ x 23″ x 44″$22,500
HowardBriannaWalthamMA@briannahowardstudiowww.briannahowardstudio.comSilkenLatex polymer and acrylic on panel10″ x 8″ x 2″$460
JuddAlisonBrooklineMA@alisonjudd.artwww.alisonjudd.comDid You Draw Yet?Oil on canvas20″ x 16″ x 1.5″$1,800
KelleyRyanByfieldMA@wirebyryanwww.wirebyryan.comPioggia Di Rame IISculpture22″ x 16″ x 6″$1,900
KinneyLydiaGreenfieldMassachusetts@l.m.kinneywww.lydiamkinney.comGutsAcrylic on canvas30″ x 24″ x 1.5″$1,000
MadarLilacWest RoxburyMA@lilacmadarwww.lilac-madar.comJapanese TrioAssemblage on stamp, magnifying glass24″ x 4″ x 4″$1,450
MitchellWilliamCambridgeMA@billymitchellphotoswww.williammitchellphotography.comForkPhotography21″ x 18″ x 1″$300
MotherwellJeannieCambridgeMA@jmotherwellwww.jeanniemotherwell.comMaking ClaimsAcrylic and ink on Yupo11″ x 11″ x 2″$1,700
MullenJoanNewtonMA@jnmamuwww.joanmullen.comCover IIIMixed media6″ x 13″ x 9″$1,800
MurieSusanBostonMA@susanmuriewww.susan-murie-jva2.squarespace.comStellarCyanotype with selective toning31″ x 45″$2,400
NelsonDianeBrightonMAInland SeaAcrylic on panel11″ x 9″ x 1.5″$275
OllierTedMedfordMA@mindhuewww.mindhuestudio.comRandom Chroma Bands Type C/p Grid 361Digital print18″ x 18″ x 1″$400
PeeplesDeborahCambridgeMA@debpeeplesartwww.debpeeples.comVarianceEncaustic on panel30″ x 34″ x 2″$2,700
Peterson-DavisNickBostonMA@Nickpetersondavisartistwww.Nickpetersondavis.comAll of Us TogetherOil paint and canvas20″ x 26″ Framed$1,950
RabkinDavidCambridgeMA@davidrabkinartwww.davidrabkinart.comWinter Silence on the RiverArchival inkjet print set in poplar13″ x 28″ x 4″$700
RajputMaithiliBostonMAartbymaithiliwww.artbymaithili.comAethonMixed media; cement, concrete, strings, threads, styrofoam, bamboo and wire20″ x 5″ x 6″$250
SakkafIman AuroraConcordMA@auroradaze22www.imanaurorasakkaf.comDuendeAcrylic on wood panel10″ x 10″ x 1.5″$275
SamuelsonGailSherbornMA@gailsamuelsonphotowww.gailsamuelson.comDark MorningArchival inkjet print21.5″ x 15.5″ x 1″$900
SimmonsLynnWorcesterMA@lynnsimmons.studiowww.lynnsimmons.comBye-GenderDeconstructed wooden parlor chairs35″ x 17″ x 24″$1,800
SmedvigSiriConcordMA@sirismedvig @sirismedvigartwww.sirismedvig.comCertainty Beyond LogicMixed media7″ x 5″$500
StarrMarthaCharlestownMA@MarthaStarr2www.MarthaStarr.ArtEverything Alexandra Taught MeMixed media (painted paper, monoprints, paint pen, paint wash, on corrugated cardboard)40″ x 32″ x 0.5″$1,500
StockerTomBostonMA@stockertomwww.tomstockerartist.comStocker_Tom_ l”OrangerieAcrylic on canvas24″ x 20″$850
StrassmanAlanWestonMAwww.alanstrassmanphotography.comLet’s GoPhotography22″ x 30″ x 1″$450
StumpfSuzanneSouth NatickMA@suzannestumpfwww.ceramicsatthebarn.comResting PlaceSculpture (porcelain)9″ x 26″ x 19″$4,500

CAA @ UNIVERSITY PLACE GALLERY EXHIBITORS:

Last NameFirst NameCityStateInstagramWebsiteTitleMediaDimensionsPrice
AhearnSusanHinghamMAwww.susanahearnart.comSeptemberOil36″ x 48″ x 1.5″$3,800
ArnoldLouiseConcordMA@louisearnoldartwww.louisearnoldart.comMoss Glen Falls, Stowe, VTOil on canvas48″ x 30″ x 2″$4,000
BatchelorJimBrooklineMAwww.jpbatch-art.comJakarta SinkingContoured wood panel, transferred aerial photo, acrylics18″ x 36″ x 1″$600
BousquetSallyHinghamMA@srbousquetwww.sallybousquet.comIn With the NewArchival inkjet print19″ x 25″ x 1″$600
BrasherBlakeLowellMAwww.blakebrasher.orgDirections for Making Birthday Party InvitationsAcrylic collage marker on canvas60″ x 48″ x 1.5″$4,840
CarterMichelleCambridgeMAwww.michellecarterpaints.comSkirting on the SurfaceMixed media on panel (acrylic paint, found paper, inkjet photo transfer, acetate)16″ x 12″ x 1.5″$850
DiebbollRobRockportMA@robdiebbollwww.robdiebboll.comTide and FogOil on linen34″ x 34″$4,600
ElizabethJocelynPeabodyMA@jocelynelizabeth_studiowww.jocelynelizabeth.comSearching for the TruthAcrylic, collage, and mica flake on canvas30″ x 30″ x 1.5″$1,350
FallonDavid EllsworthQuincyMA@fallon2432www.davidefallon.com14th Streets BluesAcrylic paint and paint markers on cavas27″x23″ 1″$1,500
GillChristopherSomervilleMA@chrisgillartwww.chrisgillartist.comFlag for a New PlanetGouache on paper47″ x 55″ x 1″$3,800
GomezJoseBrooklineMAwww.waamart.org/artist_page/jose-gomez/InterfacePigment inks on organic acid free paper. Craft Glue. Linen adhesive tapes.30″ x 16″$3,000
GordonDonnaCambridgeMA@donnagordon8994www.donnasgordon.com/visual-art-1Carol with bonsai, 2023.Alternative process transfer image. Two image transfers, one on top of the other. Made with inkAid transfer film and transfereize. Printed on kitakata rice paper.$1,600
HarrodNancyCambridgeMA@nkharrodwww.Nancyharrodart.comWorlds CollideAcrylic, water soluble graphite, painted paper collage52″ x 52″$1,250
HoltonWileyMedfordMA@artbywileyholtonwww.wileyholton.comBuddingAcrylic and colored pencil on wood36″ x 48″ x 1.5″$5,800
ImrichSteveCambridgeMA@steveimrichwww.steveimrich.comCRACK 5Oil on linen22.5″ x 21″ x 1.25″$2,500
LeafCarolynWinchesterMABeyond The Garden GateOil on canvas42″ x 32″ x 1.5″$2,500
LeWinterReneeSomervilleMAPatterns Have No Permanence 2Mixed media19.5″ x 25.5″ x 3″$2,000
LoriC.J.BrooklineMA@c.j.loriwww.cjlori.comWinter CommunionOil on canvas24″ x 36″ x 1.5″$3,900
MarburgCharlesHadlymeCT@charlesM210www.charlesmarburg@me.comIdentity, Memory, DislocationOil on canvas21.5″ x 26″ x 1.25″$3,500
MillerAnnCarlisleMAwww.annmillergallery.comThe CalvaryOil on panel22″ x 22″ x 1″$2,300
MillisAmanda CaseArlingtonMA@amandacmilliswww.amandacasemillis.comFog Over the MeadowOil on linen15″ x 18″ (16″ x 19″ framed)$1,750
NovetskyDianeSomervilleMA@dianenovetskywww.dianenovetsky.comRosy Fingered DawnAcrylic on canvas36″ x 48″ x 1.5″$4,500
Palazzolo LoparoErinBrooklineMA@loparoerinwww.epl-art.comDevotion I (Immersion)Drypoint etching + gouache monotype + collage on Somerset paper21″ x 17.5″ x 1.5″ framed (floated inside mat, framed with museum glass and white wood frame)$1,100
PrellwitzWendyCambridgeMA@wendyprellwitzwww.wendyprellwitz.comLuminescent Portal #1Monotype on Arnhem paper22″ x 13″ x 1″$2,800
RiccardiVictoriaNewtonMA@victoriariccardistudio.comwww.victoriariccardistudio.comBetwixtMixed media24″ x 36″ x 1″$1,900
RussoKellyScituateMA@kelly_russo_artwww.kellyrussoart.comRise and ShineAcrylic and mixed media on cradled wood24″ x 24″ x 2″$850
SazerLisaWabanMAwww.lisasazer.comBeach BoundAcrylic paint on canvas30″ x 30″ x 2″$950
ScheiblerIngridNewton CentreMA@IngridScheiblerwww.IngridScheibler.comFull of Sound and FuryAcrylic and mixed media48″ x 48″ 1.5″$3,850
ShepleyPipBelmontMA@pip_shepleywww.pipshepley.comCamera Obscura – Waiting for SnowArchival pigment print, archivally framed18″ x 24″ x 1.5″$475
TempleMattNeedham HeightsMA@matt.temple_photosOver the Bounding MainInkjet print16″ x 20″ x 1″$350
TrachtenbergBarbaraNewton HighlandsMA@Barbara.trachtenbergwww.barbaratrachtenberg.comThe BoatAcrylic on canvas18″ x 36″ x 1.5″$1,890
WagnerMaraCambridgeMA@aberdeentreehousestudiowww.marawagnerart.comHigh TeaPainted and found paper collage26″ x 28″$1,000
ZhelezovYefimArlingtonMA@yefimzhelezovartwww.yefimzhelezov.comStill Life with MackerelScratchboard graphics16″ x 16″ x 1.25″$720
ZieffMarkSudburyMA@markzieffartwww.markzieff.comThe ScarecrowColored pencil on Canson paper19.5″ x 25.5″$2,100

IMPORTANT DATES:

  • Deadline to submit | Friday, January 12, 2024 at 5pm EST. We cannot accept any late submissions.
  • Artist Notification* | Wednesday, January 31, 2024 after 5pm EST *All accepted artists will be posted on this webpage and emailed on the date above.
  • Drop-Off* | Friday, February 16 from 12-4pm and Saturday, February 17 from 10am-1pm at Kathryn Schultz Gallery and CAA @ University Place*All artworks must be delivered in-person. We cannot accept shipped artworks. Late drop-offs will not be accepted, no exceptions.
  • Pick-Up* | Friday, May 3 from 12-4pm and Saturday, May 4 from 10am-1pm at Kathryn Schultz Gallery and CAA @ University Place *Artists who are not in contact with staff about a late pick-up within 7 days of the official dates will incur a $15 per week fee until the artwork is picked up. The fee must be paid before or at pick-up.

AWARDS:

Every year CAA awards 5 Artist of the Year Awards, which come with a 1-year membership to CAA and a $250 prize.

  • Jose Gomez, Interface
  • Kay Hartung, Geocolor 9
  • Lydia Kinney, Guts
  • Charles Marburg, Identity, Memory, and Dislocation
  • Gail Samuelson, Dark Morning

Image in header courtesy of 2023 Members Prize Show artist, Wiley Holton


Have questions? If you have questions after reviewing the above information, please email Associate Director, Candice Driver at cdriver@cambridgeart.org, or call us at 617.876.0246

Cambridge Art Association does not issue refunds for exhibition applications. Once submitted, changes cannot be made to any application. All applications must be entered via Submittable.

All decisions/selections are made by the juror. All decisions are final.